![]() In 90 percent of the movies we see the flaws are the same old flaws endlessly recycled (inherited like family curses, passed along like viruses): sentimentality, cliched characters and behavior, and stock attitudes, camera placements, and audience manipulations. Part of what’s refreshing about Jodie Foster’s first feature as a director is its quirky style and vision even the picture’s limitations have a certain offbeat integrity. With Adam Hann-Byrd, Jodie Foster, Dianne Wiest, Harry Connick Jr., David Pierce, Debi Mazar, and P.J. From the Chicago Reader (October 25, 1991).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |